![]() ![]() Joy JAMES: Becoming Butterfly: Apparatuses of Capture and Evasionġ7. Phil POWRIE: Embodying the Nation: Viviane Romance in Carmen (1945) and Rita Hayworth in The Loves of Carmen (1948)ġ6. Ann DAVIES: Resurrecting Carmen: Sexual and Ethnic Identity in the Cinemaġ5. Every once in a while, it might be healthy for progressives to stop, look up from the work of making the world a more equitable place and ask, Wait. Nuria LÓPEZ :Women’s Image and National Identity in the Indian Nationalist Movement Mary ANNE FRANKS: (Porno)Graphic Depictions: Image and Sexual Identityġ3. Stef CRAPS: How to Do Things with Gender: Transgenderism in Virginia Woolf’s Orlando 12. Marnix BEYEN: The Schizophrenia of an Icon: the Impact of Thyl Uylenspiegel on National and Gender Identities in Belgium in the Nineteenth and Twentieth Centuries ![]() Tom VERSCHAFFEL: ‘Par les Yeux Parler à l’Intelligence’: the Visualization of the Past in Nineteenth-Century Belgiumĩ. Paul GILBERT: Republics, Tribes and National IdentitiesĨ. Angeline MORRISON: Black Skin, Big Hair: the Cultural Appropriation of the Afro Jacqueline MAINGARD: Cast in Celluloid: Imag(in)ing Identities in South African CinemaĦ. Henriette LOUWERSE: Killing an Arab? Ghostlier Demarcations in Hafid Bouazza’s ‘Spookstad’ and ‘Abdullah’s Feet’ĥ. Brigitte ADRIAENSEN: Coming to Terms with Franco’s Legacy: Trauma and Cultural Difference in the Work of Juan GoytisoloĤ. Joep LEERSSEN: The Downward Pull of Cultural Essentialism John OSBORNE and Michael WINTLE: The Construction and Allocation of Identity throughĢ. ![]()
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